Tuesday, March 6, 2018

Avenue - H.E.R. vibes

I liked you better on the first date
I shoulda said what's wrong in the first place
I don't 'cause you always takin' it the wrong way
You won't listen you're too busy playin' 2K
I always been down but you still asleep
And even though I said that night I shouldn't been peaked
I feel it in my soul yeah it's so deep
So deep you should know that about me
I just turned, just turned down your avenue
I had to but I'm mad at you
You always say I gotta attitude
But that's you, you was actin' rude
I had to ask you if you had a few
'Cause you always say I gotta attitude, oh

Why you talkin' to me like, you be like
Why you always wanna be right?
Oh, I just need the time that you can't find
I just need to know that it's still mine
And the way that you can't say my name don't seem right
But I know when to go and to stop at the green light
I just turned, just turned down your avenue
I had to but I'm mad at you
You always say I gotta attitude, oh
But that's you, you was actin' rude
I had to ask you if you had a few
'Cause you always say I gotta attitude, oh
So I'm the one that set a place
I'm the one that's in the way
I'll communicate
I'm so spoiled
So I'm the one that need a break
Like you ain't stay in my place
But you're the one who came home late
And I ain't loyal
That's you, yeah, that's you, that's you, yeah, that's you
I just turned down your avenue, yeah
You always say I gotta attitude
I just turned, just turned down your avenue
I had to but I'm mad at you
You always say I gotta attitude, oh
But that's you, you was actin' rude
I had to ask you if you had a few
'Cause you always say I gotta attitude, oh
Attitude, oh
that's you, you was actin' rude
You always say I gotta attitude, yeah yeah yeah
Just turning

Pregnant Body Politics

Unsure what the balance held
I touched my belly overwhelmed
by what I had been chosen to perform
but then an angel came one day
told me to kneel down and pray
for unto me a man-child would be born
woe this crazy circumstance
I knew his life deserved a chance
but everybody told me to be smart
'look at your career,' they said
'Lauryn baby use your head.'
but instead i chose to use my heart...


My first pregnancy has been life changing, giving me a peace I have never before had. I remember the first time that I heard these lyrics. I was 12. The Miseducation of Lauryn Hill was the first cd I had ever purchased and with my own hoarded lunch money. I remember loving it then, and I sit here nearly 20 years later and I still love this classic album.  I recite these  lyrics in my head, now a 31 year old first time mother to be. But one line in particular speaks to me differently than before:

     "'look at your career,' they said [...] use your head.' but instead I chose to use my heart."

I find myself in these internal crosshairs, frequently needing shelter from "they sayers" and the peanut gallery of know-it-alls...

From the time I was 6 or 7 years old I was aware of my body and although I was not yet in the world sexually, the world somehow made me aware that my body would be a sexualized object. I remember feeling self-conscious in a swimsuit at age 7; I remember quitting gymnastics when I learned the girls had to wear leotards and not the shorts and t-shirt I had been coming in to practice; I remember dreading free swim at the pool because the boys would use goggles for other reasons than simply swimming under the water. I remember inadvertently learning about childbirth after thumbing innocently through what I thought what a picture book, yet soon discovering that what was a colorful pictorial of a fetus would emerge from a screaming mother's gaping flower. I remember looking at my unknowing younger brother with jealousy and disdain.  I did not yet know about sex, so after reading this book I thought that all girls would inevitably have to endure childbirth. The images traumatized me; the moment still remains a faded scar. 

Now, as a 31 year old pregnant woman and first timer, I am again reminded of the unwarranted politics that accompany being in this body. I remain humble and receive advice with an open mind. Yet, I find myself constantly having to shelve that inner voice that wants to tell some people to fuck off. What is it about women's bodies that make people compelled to give their two cents?


I've been told time and time again that I am too sensitive. And although I have denied this many times for fear of succumbing to an undesirable truth about myself, I now understand and I am learning to accept it. Sensitivity is not weakness. 



Tuesday, January 30, 2018

Most of it is Shit

I just reread over this blog as I often do when I remember I have it. I realize I was brave for posting any of this because most of it is shit.

I also realize my head was stuck in the clouds. I am now down here on earth, and I much prefer the view of things from up in the sky.


Friday, September 23, 2016

What is Enough To Prove I am Ready for Love?

I feel intensely connected to the lyrics of this song.Music as always yields me a solace and simultaneous outlet like nothing else.


Ready for Love








I am ready for love
Why are you hiding from me?
Id quickly give my freedom
To be held in your captivity.
I am ready for love.
All of the joy and the pain
And all the time that it takes
Just to stay in your good grace


Lately I been thinking maybe you’re not ready for me.
Maybe you think that I need to learn maturity.
They say watch what you ask for
Cuz you might receive.
But if you ask me tomorrow,
Ill say the same thing:

I am ready for love.

Would you please lend me your ear?
I promise I wont complain.
I just need you to acknowledge I am here.
If you give me half a chance
Ill prove this to you.
I will be patient, kind, and true
To a man who loves music
A man who loves art
Respects the spirit world
And thinks with his heart.

I am ready for love.
If you’ll take me in your hands,
I will learn what you teach.
And do the best that I can.

I am ready for love.
Here with an offering of
My voice, my eyes, this song, my mind
Tell me what is enough

To prove I am ready for love?



Monday, July 18, 2016

Ramble Series: Flashback Friday (written sometime in September 2012)


...I just left a meeting at the Mckeldin library with Tim, one of the librarians for English literature and such. He took me along a virtual tour of research ports and databases and I confessed to him that I felt like a preschooler sitting in high school math; all this bibliographic work feels tedious and a little overwhelming. I tell him, I'd much rather read and write. But, I'm excited for the prospect of growing and I realize that my resistance to this new avenue is only a natural bucking at the impetus of growth and progression. Without a little struggle, there is neither growth nor progression. Still, I don't do it with an ear-to-ear smile.

Outside, it's raining and the tips of my boots still hold soggy socked feet. In an hour or so, I will be meeting with Dr. Ray, the graduate advisor. This meeting has no formal insinuations, but I'm taking the advice we received at orientation and making myself known.

The free coffee in my system was the perfect compliment to this rainy Thursday and I'm beginning to realize that I made the right choice. Often, I spend too much time doubting my decisions rather than relishing them. Like my dad says, it's your life, baby girl; only you know what you want, so do it.

I find myself unaccustomed to this new schedule. The mornings are the most confusing. Do I wake up with an alarm as the nine-to-fivers do? Or do I wake up to a soundless room, no alarm to pull me from my dreams? Do I work at home or head to campus? Shall I become nocturnal, burning midnight oils and closing my eyes during the sunshine of the day? Yeah, I already know...first-world problems. In the backdrop of my over-analysis are the thoughts of my students at Dwight Englewood. I think of them everyday. I think of their boundless energy, their morning commutes, their heads bobbing in the lunch line, their school supplies in abundance.  And I think of my old classroom and its new teacher's decorations. All of this makes me smile. This first year has given me new liberties, of this I'm we'll aware. My teaching career presented visible limitations to intellectual and creative thought in many ways, although not entirely.  Conversely, my studies here at Maryland have pulled away all reigns. Essentially, people now want to know what I deem important and wait to hear my contributions. This is a challenge for me to step into confidence. As Cheryl used to say, "Abbey, girl your biggest weakness is that you don't believe in yourself. You have to have confidence." In a sluggish attempt to take her advice, I'll declare that I do have confidence.
......
On the small table before me sits Toni Morrison's Playing in the Dark and Virginia Woolf’s The Common Reader. I've read the Morrison text, but almost three years ago now, so it's a bit fuzzy. For class, Martha has asked us to think about marginalized viewpoints and their significance as well as consider an article she assigned on literary history. The article, by Robert Hans Jauss, challenges Marxist and Formalist literary theory, suggesting through an outlining of seven theses that it is the reader's dialogic relationship with a text that harnesses an inherent understanding of the way we read and theorize. It is the reader's relationship to genre, to personal literary history, and to social postures, that determine a "horizon of expectation," ultimately establishing new ways to approach literary theory and historicism.  I tend to agree. His ideas converge quite well with the concepts Morrison lays out. Both argue for the centralization of readership in literary theory. For Morrison, she specifically calls into attention the white literary imagination and its inherent dependence on the black presence in America, which she terms American Africanism. It is impossible, she contends, to critically approach American literature without the acknowledgement of this black presence and to do so, would deny an implicit veracity...

I am rereading both works to get a tighter grip on the arguments. It is time for lunch says my stomach and so it is time to eat my granola bar.

I think that is enough rambling for now.

Wednesday, September 19, 2012

Golden Oldie

Rita Dove: Golden Oldie

I made it home early, only to get 
stalled in the driveway-swaying 
at the wheel like a blind pianist caught in a tune 
meant for more than two hands playing. 
The words were easy, crooned 
by a young girl dying to feel alive, to discover 
a pain majestic enough 
to live by. I turned the air conditioning off, 
leaned back to float on a film of sweat, 
and listened to her sentiment: 
Baby, where did our love go? - a lament
I greedily took in 
without a clue who my lover
might be, or where to start looking.

Tuesday, September 18, 2012

Epiphanies for a Dream


...Cecila often dreamed of what it might be like to fly away, to taste the clouds. At night, she wet the pillow with the fantasies of young pioneers, drifting, gliding on familiar foreign surfaces.  Her mother, a woman who had long since put her dreams into storage bins, believed her daughter’s dreams to be a folly. At night, she would peek past her daughter's room only to shake her head in dismay, though jealous with admonition: “We’ll never fly,” her mother would whisper to herself then retire to her bedroom, carefully laying down her tired body beside her old-married, holding her breath with her mouth agape as not to wake him...